María
Luna
Actriz y bailarina
de Tango.
Egresó de
la Escuela Nacional de Arte Teatral del INBA (1996-2000) y posteriormente
realizó un Diplomado de Teatro del Cuerpo (2001-2003) con Teatro
Línea de Sombra. Estudió Danza Contemporánea en
los Talleres de Danza de la UNAM y Ballet Clásico en el Conservatorio
de la Danza. Inicia sus estudios de Tango en el 2001.
Como actriz ha participado en diferentes montajes en los que destacan:
“El Jinete de la Divina Providencia” Dir. Mauricio Jiménez,
“El Gran
Teatro del Mundo”, Dir. Ricardo Ramírez Carnero y Laurance
Clauwert,
Montaje que participó en el Festival del Siglo de Oro en el Paso,
Texas.
“El Amor de Don Perlimplín con Belisa en su Jardín”
Dir. Alejandro Velis,
“Electra”Dir. Fernando Martínez Monroy, “Shakes”Dir.
Abram Oceransky.
“Los Ciegos”, Dir. Luis Martín Solis, “La Traviata”,
Dir. Mario Espinosa, Palacio de las Bellas Artes, entre otros.
Como bailarina, participó en festivales nacionales e internacionales:
Festival de las Artes en San José, Costa Rica, Taxco, Puebla,
San Luis Potosí, Edo, de México, Morelos y Tlaxcala, con
coreógrafos como: Cora Flores, Marco Antonio Silva, Claudia Lavista,
Omar Carum, Javier Basurto, Oscar Ruvalcaba y Diana Appleton.
|
 |
 |
Luciano Brigante.
It is born in Buenos Aires, Argentina and to the eighteen
years of age enters the School Buenos Aires Space to study design in illumination
and two years later it concludes this specialization. Like illuminator
in its native city, Luciano Brigante has collaborated the puttings in
scene the life is dream (of Calderón of the Boat under the
direction of Fernando Parra) and Cross of the South (of Florence Cresto
under the direction of Alexander Finzi). In the cinema Line of telephone
under the direction of Marcelo Brigante participated in the cortometraje.
At the moment Tango is in charge of the illumination design of all the
presentations of the Latin Company.
Simultaneously Luciano Brigante has his first approach with the art of
the dance when beginning its studies of tango under the position of a
guardian of his first teachers Aldo and Chimbela, milogueros professors
of Villa Urquiza (Argentine district of tradition), who contribute the
basic knowledge to him to their future dance race. As of this moment,
Luciano Brigante, begins an intense process of learning during which it
knows Jorge Dispari, this excellent teacher offers the key him that allows
to discover him how to as much dance the tango in the scene as in milonga.
Luciano continues its studies of scenic tango with the teacher Doris P,
ex-dancer of the Theater Columbus of Buenos Aires and coreógrafa
of General Theater San MartÃn with whom it learns still more on
scenic and choreographic expression.
In second half of the year of 1999 one appears in sanctioned Houses of
Tango of his native city as they are: The Cumparsita, Casablanca and Michelangelo.
In September of year 2000 it travels to Mexico when it is invited to inaugurate
the Night of Tango of the Bariloche restaurant in the city of Guadalajara.
In the autumn of year 2001 again Festival is invited to work in this country
being distributed workshop in 1° the International of Tango in Cancún.
Finally it returns to Mexico in May of 2003 in where it remains until
now. |
Karina
Guillén y Luciano Brigante
Karina Guillén and Luciano Brigante
form pair of dance as of the summer of year 2002, and since then they
have made different presentations from independent way in more than twenty
places, have distributed courses and classes of tango in the city of Mexico
and have accompanied to several groups of tango in all the Republic. The
seats that stand out are the following ones:
Audience of the National Medical Center, Century XXI. Tribute to the Coco
Potenza, organized by the Mexican Academy of the Tango. (City of Mexico,
Mexico, June of 2002).
Night of Tango of the Bariloche Restaurant. (Guadalajara, Jal, Mexico,
August, September and October of 2002).
Quadros, Gallery Coffee with the group of Enzo Peiret. (Queretaro, Qro.
México.17 of October of the 2002).
XVIII Cultural Festival the International Dr Alfono Ortiz Thrown (In the
cities of Alamos, Navojoa, Joint, Nogales and Hermosillo, Sonant, Mexico.
January and February of 2003).
Civic audience of the State (Navojoa, Is Mexico, March of 2003). *
Main esplanade of the Technological one of Monterrey. (Guaymas, Is Mexico,
March of 2003).
Institute Sonorense de Cultura.(Hermosillo, Is Mexico, March of 2003).
Civic audience of the State. (Dark Water, Is Mexico, March of 2003).
Cultural forum the Union (Puebla, Pue. Mexico, April of 2003).
Theater of Architecture Carlos Bow (Independent National University of
Mexico, City of Mexico, Mexico, June of 2003).
At the moment they comprise of the Latin Company Tango, under the direction
of Claudius Villagra (ex- first dancer of the Forever Company Tango),
with whom they have appeared in:
Planta de Luz in Loreto Seat. Tango’s Heart. (City of Mexico, Mexico,
July and August of 2002).
Theater (San Miguel de Allende.Gto. Mexico December of 2002).
Metropolitan Theater. Dear Tango. (City of Mexico, Mexico, December of
2002).
Hard Rock Coffee. (City of Mexico, Mexico, April and May of 2003).
* The cuple of dance participated in the spectacle like solista and with
choreographies in its single ones of its responsibility. |
 |